The cinema of M I C H A E L H A N E K E : europe utopia edited by B E N M c C A N N & D A V I D S O R F A The cinema of T H E D A R D E N N E B R O T H E R S : responsible realism PHILIP MOSLEY The cinema of TA K E S H I K I TA N O : flowering blood SEAN REDMOND The cinema of T E R R Y G I L L I A M : it’s a mad world edited by J E F F B I R K E N S T E I N, A N N A F R O U L A & K A R E N R A N D E L L The cinema of S T E V E N S O D E R B E R G H : indie sex, corporate lies, and digital videotape A N D R E W D E WA A R D & R. The cinema of B É L A TA R R : the circle closes A N D R Á S B Á L I N T K O VÁ C S The cinema of R I C H A R D L I N K L AT E R : walk, don’t run ROB STONE The cinema of A K I K A U R I S M Ä K I : authorship, bohemia, nostalgia, nation ANDREW NESTINGEN The cinema of M I C H A E L M A N N : vice and vindication J O N AT H A N R AY N E R The cinema of R A Ú L R U I Z : impossible cartographies MICHAEL GODDARD The cinema of M I C H A E L W I N T E R B O T T O M : borders, intimacy, terror BRUCE BENNETT The cinema of A L E X A N D E R S O K U R O V : figures of paradox J E R E M I S Z A N I AW S K I The cinema of A G N È S VA R D A : resistance and eclecticism DELPHINE BÉNÉZET The cinema of I S T VÁ N S Z A B Ó : visions of europe JOHN CUNNINGHAM Other selected titles in the Directors’ Cuts series: the cinema of J A M E S C A M E R O N : bodies in heroic motion JAMES CLARKE Eastwood’s Politics: ‘Leave everyone alone’.Įpilogue: ‘If somebody’s dumb enough to ask me…’. Invictus: From John Huston to Jersey Boys.ħ. Portrait of the Artist as a Major Player: From Pale Rider to Bird.Ħ. Any Which Way He Can: From Misty and Harry to High Plains Drifter and The Outlaw Josey Wales.ĥ. The Rising Star: Clintus, Siegelini, and Company.Ĥ. A Fistful of Movies: Rowdy Yates and the Man With No Name.ģ. Pros and Cons: The Case For/Against Clint.Ģ.
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